Work in Progress

My Name is Venus” huipil for the 99 Arts Project work-in-progress!

Before and After

This is the back panel of the huipil first with just the drawing then with appliquéd fabric scraps (which I have plenty of) added for the background. This helps me use materials I already have, use less embroidery thread which is expensive and not that easy to find here, as well as makes blocking in the huipil much easier.

Looking at some of the scraps makes me smile—there’s fabric from my man’s old boxers as well as from a shirt his kids came him for his birthday years ago.  There’s also fabric from a dress Kerry gave me as well as from a dress Gayle gave me.  The black is from the lining of a skirt Marina gave me.  It is already a kind of Memory Huipil.

I wish I had saved some of the clothes my son and daughter wore as little kids so that I could cut them up and piece them into a huipil. Or that I had my mother’s favorite red and white  polka dress she used to wear so much. Or even my old doll clothes.  All of these fabrics would have been fantastic for a Memory Huipil where you wear fabric souvenirs of someone important in your life.

My Name is Venus

And this represent a figurine from Naqada.

Here is a before & after of the figurine from Mesopotamia.

Again, the figurine from Mesopotamia.  The first foto is that of the backside. And the second foto shows the yellow threads that unite the white fabric pieced together to act as a canvas for the threads.

My Name is Venus

Mesopotamian Figurine

Unfortunately, sewing becomes addictive and today I must find the discipline to break away from my huipil for household chores!

Mal Oo

Cynthia Korzekwa  ©

 

 

Freshness is Not Eternal Huipil

Freshness Is Not Eternal

One morning while sitting in the kitchen searching for meaning in life, I noticed that the oranges in the fruit bowl were getting mushy. The firm plumpness they had when I bought them had disappeared. With this realization, I had an epiphany —life is ephemeral so I needed to get up and get with the program before it was too late.

This huipil was made from pieces of white cotton stitched together to be used as a canvas for a drawing made with water-resistant markers. Hand-painting, appliqué, and hand-stitching are used to further embellish the huipil. The back of the hupil is a patchwork of colorful fabrics.

The model, Chiara Pilar, is also wearing a paper bead necklace and a bracelet made from  pen caps.

Mal Oo